Issues : Authentic corrections of FE
b. 41
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The long accent could have been introduced in FE by Chopin (cf. bars 39-40), hence we adopt it to the main text. category imprint: Differences between sources issues: Long accents , EE inaccuracies , Authentic corrections of FE |
|||||
b. 43-44
|
composition: Op. 21, Concerto in F minor, Mvt II
..
Cautionary flats before the B and b notes were added in a proofreading of FE (→EE) in both bars. However, in bar 43 the signs were put (certainly erroneous) only before the 8th demisemiquaver of the roulade. category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE |
|||||
b. 50
|
composition: Op. 21, Concerto in F minor, Mvt II
..
category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
|||||
b. 59-60
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The layout of the chords of the orchestral part reduction in A (→GE) corresponds to the division into instrument groups and not to piano reality – four voices on the top stave are grouped in twos, with an indication of flutes and clarinets performing them, whereas the bass voice, imitating the double-bass part (an octave higher) is written as a third voice on the bottom stave. It was changed in a proofreading of FE (→EE), most probably by Chopin, to a layout indicating the pianist a division into hands, which we adopt in the main text. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
|||||
b. 60
|
composition: Op. 21, Concerto in F minor, Mvt II
..
GE1 omitted a lowering c2 to c2 at the beginning of the bar. In FE, a new mistake was committed while correcting the latter: the lowering c3 to c3 was overlooked. A, EE and GE2 include the correct text. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Authentic corrections of FE |