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Issues : Authentic corrections of FE
b. 41
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composition: Op. 21, Concerto in F minor, Mvt II
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The long accent could have been introduced in FE by Chopin (cf. bars 39-40), hence we adopt it to the main text. category imprint: Differences between sources issues: Long accents , EE inaccuracies , Authentic corrections of FE |
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b. 43-44
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composition: Op. 21, Concerto in F minor, Mvt II
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Cautionary flats before the B category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE |
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b. 50
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composition: Op. 21, Concerto in F minor, Mvt II
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category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 59-60
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composition: Op. 21, Concerto in F minor, Mvt II
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The layout of the chords of the orchestral part reduction in A (→GE) corresponds to the division into instrument groups and not to piano reality – four voices on the top stave are grouped in twos, with an indication of flutes and clarinets performing them, whereas the bass voice, imitating the double-bass part (an octave higher) is written as a third voice on the bottom stave. It was changed in a proofreading of FE (→EE), most probably by Chopin, to a layout indicating the pianist a division into hands, which we adopt in the main text. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 60
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composition: Op. 21, Concerto in F minor, Mvt II
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GE1 omitted a category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Authentic corrections of FE |