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Issues : Errors of A
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b. 40
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composition: Op. 21, Concerto in F minor, Mvt II
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In the sources the category imprint: Interpretations within context; Editorial revisions issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Errors of A |
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b. 40
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composition: Op. 21, Concerto in F minor, Mvt II
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On the 3rd beat of the bar A does not have flats lowering c1(2) to c category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 49-50
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composition: Op. 21, Concerto in F minor, Mvt II
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In A (→GE→FE) there is no treble clef in bar 50 (we do not include the sign written in pencil with a foreign hand, probably later). In GE (→FE) the bass clef in bar 49 was also overlooked. The mistake was corrected in EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in GE , Errors of A , Errors repeated in GE , Errors repeated in FE |
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b. 55
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composition: Op. 21, Concerto in F minor, Mvt II
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In A there are no naturals raising g category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of GE , Last key signature sign |
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b. 72-74
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composition: Op. 21, Concerto in F minor, Mvt II
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In A there is no octave sign over the entire sequence of chords written with small notes. The patent mistake was corrected already in GE1 (→GE2,FE→EE), which could have been a result of Chopin's proofreading (however, the correction could have also been implemented by the reviser, since due to the overlapping of the hands, the mistake is evident). category imprint: Differences between sources issues: Errors of A , Authentic corrections of GE |
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