A
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 13

Demisemiquaver g3 in A

Demisemiquaver f3 in GE (→FEEE)

The change of rhythmic values in GE (→FEEE) is probably a result of a mistake of the engraver of GE1, who could have simply committed a mistake or (being certain that in such figures the note after the rest is shortened) could have considered that it was Chopin that made a mistake. A possible proofreading by Chopin seems to be highly unlikely due to the total absence of changes in print. Chopin would use both types of notation in similar situations; sometimes he would hesitate or change his decisions (see the Scherzo in C minor, Op. 39, bar 47). Cf. a similar situation in bar 32, as well as bar 41 and 81.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions, Inserted rest

notation: Rhythm

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