Page: 
Source: 
p. 4, b. 41-52
p. 1, b. 1-18
p. 2, b. 19-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-63
p. 6, b. 64-74
p. 7, b. 75-80
p. 8, b. 81-97
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½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 41

Semiquaver in A & GE2

Demisemiquaver in GE1 (→FEEE1EE2)

Demisemiquaver in EE3

The rhythmic notation of the majority of the sources is incorrect, since the group has only 8½ semiquavers. Therefore, it is most probably a mistake of the engraver who, presumably, added a beam almost "automatically" (in similar situations it is the figures in which the note after the rest is shorter than the previous that appear more frequently). Cf. a similar situation in bar 81. The mistake was revised in GE2 after A and arbitrarily in EE3 (the latter is still erroneous, since the group has, contrary to the indication, only 8 semiquavers).

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Errors in GE, GE revisions

notation: Rhythm

Missing markers on sources: A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3