



In A the vast majority of the beginnings of the slurs in the L.H., both in the figures embracing the whole bar and in the half-bar ones, does not include the bass note, usually provided with a staccato dot. Despite the fact that Chopin would not always put them precisely (e.g., a slur in bar 8), their systematical reproduction in GE1 (→FE→EE) as whole- or half-bar rather does not correspond to his intention (cf. the characterization of GE1), which was noticed in GE2.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Inaccuracies in GE, EE inaccuracies
notation: Slurs