EE
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 56-57

2 R.H. slurs in A, possible interpretation

3 slurs in GE1 (→FE)

4 slurs in EE

2 R.H. slurs in A, another interpretation

4 slurs in GE2

R.H. slur in A, inter­pretation suggested by the editors

2 slurs suggested by the editors

R.H. slur in A, another interpretation

The slurs of A, written only for the R.H., are unclear here:

  • the slur in bar 56 starts over the 2nd demisemiquaver, but it points to the first;
  • the end of the slur in bar 56 suggests continuation, which is, however, not confirmed by the slur in bar 57 (on a new page).

Interpretation of those slurs adopted in the majority of editions, although possible, is, according to us, a double miss, which was partially corrected in GE2. In turn, we consider the addition of slurs in the L.H. part to be justified, which was introduced in all editions in bar 57, and in EE and GE2 also in bar 56.

If the version with harmonic accompaniment was chosen in bar 53, one of the interpretations of the slurs of A is to be selected here.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: EE revisions, Inaccurate slurs in A, GE revisions

notation: Slurs

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