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Issues : EE inaccuracies
b. 71-72
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composition: Op. 21, Concerto in F minor, Mvt I
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Short accents in EE is an inaccuracy resulting from not using the sign of a long accent. category imprint: Differences between sources issues: Long accents , EE inaccuracies |
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b. 80
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composition: Op. 21, Concerto in F minor, Mvt I
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The typical long accent visible in A was reproduced in GE1 as category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , EE inaccuracies |
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b. 83-85
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composition: Op. 21, Concerto in F minor, Mvt I
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The shortened category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 99
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composition: Op. 21, Concerto in F minor, Mvt I
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The
In some of the copies of GE1a, graphic retouches aimed probably at eliminating defects around the slur in bars 102-103 were performed (the defects are visible on the copy presented in our system). While performing corrections, the category imprint: Differences between sources issues: Inaccuracies in FE , Errors resulting from corrections , Errors in GE , EE inaccuracies |
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b. 100
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composition: Op. 21, Concerto in F minor, Mvt I
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It is difficult to explain the difference in approach to long accents between bars 99 and 100, since in A the signs in bar 100 are not longer than the previous ones at all. Perhaps they key to solving the puzzle is the overlooked third accent: if initially GE1 overlooked all accents in this bar, Chopin, while proofreading the edition, could have added the first two, which, this time, were incorrectly reproduced as category imprint: Differences between sources issues: Inaccuracies in GE , Errors in GE , GE revisions , EE inaccuracies |