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Issues : Omission of current key accidentals
b. 28
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE |
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b. 99-100
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composition: Op. 21, Concerto in F minor, Mvt I
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In these bars, in the part of the R.H. A has only one category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , Errors in GE , GE revisions , Cautionary accidentals , Omission of current key accidentals , Inaccuracies in A |
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b. 101-103
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composition: Op. 21, Concerto in F minor, Mvt I
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The notation of accidentals in the figurations in these bars is both refined and inaccurate in A. Chopin took care of the cautionary signs (naturals before the topmost c2, c3 and c4 notes and flats before d
In the main text we give all necessary signs and we add a cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Cautionary accidentals , Omission of current key accidentals , Inaccuracies in A |
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b. 128
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no accidental before the 2nd crotchet of the middle voice. It is certainly an oversight – d2 was already at the beginning of the 2nd half of the previous bar, suggesting a modulation to E category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE , Last key signature sign |
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b. 146
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE→FE) there is no category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Inaccuracies in A |