Issues : Authentic corrections of FE
b. 3-4
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text, we give separated slurs of FE (→EE), corrected most probably by Chopin. GE2 also has similar slurs, probably as a result of a too literal interpretation of A, in which the added ending of the slur does not touch the preceding part. In EE and GE2 the slur in bar 4 was placed under the chords: in EE apart from the slur over the chords, in GE2 – as the only one. category imprint: Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE |
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b. 17
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE) Chopin overlooked the returning b2 in the last crotchet in the bar. The addition of the sign in FE (→EE) may be assigned both to Chopin and a revision of the editor. category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Authentic corrections of FE , Inaccuracies in A |
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b. 26
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composition: Op. 21, Concerto in F minor, Mvt I
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The f1 note on the 2nd quaver of the bar was added – most probably on Chopin's demand – in the proofreading of FE (→EE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 40
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text, we give the ending of the slur after FE (→EE) due to a possibility of Chopin's proofreading. The text of A (→GE) may be considered an equal variant. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations |
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b. 63
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composition: Op. 21, Concerto in F minor, Mvt I
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The staccato dot on the last crotchet is certainly a mistake of the engraver of GE1. The error was not repeated in any of the remaining editions. category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE |