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Issues : Inaccuracies in GE
b. 45
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we hold to the notation of A, not including the schematically extended slur of the editions. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 50
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composition: Op. 21, Concerto in F minor, Mvt I
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Omissions of dashes marking the range of a dynamic change is a typical inaccuracy of Chopin first editions. The category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 51
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composition: Op. 21, Concerto in F minor, Mvt I
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The category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE |
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b. 51-52
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composition: Op. 21, Concerto in F minor, Mvt I
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According to us, all source versions of the slurring of the motif beginning in bar 51 are inaccurate. The bar is the last on the page in A, which would often contribute to inaccuracies in the notation of slurs (cf. e.g. bars 31-35). Nothing indicates that moving the beginning of the slur in GE1 and FE could have been a result of Chopin's proofreading: the first does not influence the meaning of the sign, while the result of the second is a slur contrary to the authentic articulation and dynamic markings (staccato on the 1st chord in the bar and category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A |
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b. 51-54
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composition: Op. 21, Concerto in F minor, Mvt I
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Out of four long accents written in A, GE1 reproduced correctly only the first and third, which was unified in the remaining editions, by giving short accents only. It is a result of considering long accents either inaccurately written common accents or short diminuendoes. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |