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Issues : Omission of current key accidentals
b. 242
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composition: Op. 21, Concerto in F minor, Mvt I
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The natural raising d category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Authentic corrections of FE , Inaccuracies in A |
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b. 243
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in GE , Omission of current key accidentals , Inaccuracies in A |
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b. 244
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composition: Op. 21, Concerto in F minor, Mvt I
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The bar is not written correctly in any of the sources. In A four signs are missing: a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in EE , Errors in GE , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 247
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composition: Op. 21, Concerto in F minor, Mvt I
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There are no accidentals in the last group of semiquavers in the L.H. in A. In GE (→FE→EE) the signs were added after the R.H. An authentic cautionary category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Omission of current key accidentals , Inaccuracies in A |
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b. 276
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composition: Op. 21, Concerto in F minor, Mvt I
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Same as in analogous bar 128, in A there is no accidental before the crotchet in the middle voice. It must be an oversight, corrected already in GE1 (→FE→EE, →GE2). category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Authentic corrections of GE , Last key signature sign , Inaccuracies in A |