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Issues : Accidentals in different octaves
b. 171
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing accidental before the antepenultimate semiquaver contributes to a certain obscurity concerning Chopin's intention. Although the official rule of validity of accidentals was the same as today, he would often use them as valid not only at their absolute pitch, but also in other octaves. However, in this case E category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves |
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b. 172
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there are no naturals raising d category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 174
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composition: Op. 21, Concerto in F minor, Mvt I
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The naturals before fourths, opening each of the group of semiquavers, are written in A (→GE1→FE) only in the 1st and 4th groups. EE and GE2 include the correct text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in GE , GE revisions |
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b. 174
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE1→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Inaccuracies in A |
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b. 185-186
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there are no naturals before the bottom note of the octaves in the middle of bar 186 and at the beginning of bar 187. These patent inaccuracies were corrected already in GE1 (→FE→EE, →GE2). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions |