Issues : EE revisions
|
b. 49
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In A the repeated quavers in the parts of both hands are written in an abbreviated manner as quaver tremolos. In GE1 (→FE) the notation was preserved only in the first half of the bar, while in EE and GE2, same as in the main text, all abbreviations were explained. category imprint: Source & stylistic information issues: EE revisions , GE revisions , Abbreviated notation of A |
||||||
|
b. 51
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In A (→GE1→FE) there is a totally unjustified category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Last key signature sign |
||||||
|
b. 59
|
composition: Op. 21, Concerto in F minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Terzverschreibung error |
||||||
|
b. 61
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The slur of GE (→FE) is probably a result of a schematic interpretation of the notation of A, although from the musical point of view, it is absolutely possible. A shortened slur in EE is certainly an arbitrary revision. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE |
||||||
|
b. 79-80
|
composition: Op. 21, Concerto in F minor, Mvt I
..
We add a slur for the L.H., since in this context both notations are equivalent and there is no reason to differentiate between the notations of the double presence of this motif. The slur was added already in EE and GE2. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
before the top note of the octave (d
). In 
