Slurs
|
b. 13
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The slurs of GE1 (→FE→EE) may be partially considered a result of Chopin's intervention: the slur running from the 2nd quaver could have been added as a probably simplified correction of the erroneous, too short slur in the 2nd half of the bar. Apart from the literal interpretation of this slurring, we suggest another two possible interpretations. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , GE revisions , Authentic corrections of GE |
|||||||
|
b. 15-16
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The slurs, added in the proofreading of GE1 (→FE→EE), may come from Chopin – cf. bar 13. On the other hand, an editorial revision cannot be excluded, hence in the main text we leave their inclusion to the discretion of the performer. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
|||||||
|
b. 19
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The earlier beginning of the slur in GE1 (→FE→EE) is certainly erroneous and it was corrected in GE2 after A. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
|||||||
|
b. 20-21
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In the main text we move the beginnings of the slurs, so that they do not suggest a later commencement of the motifs, which, according to us, start from the syncopated, accented crotchets. category imprint: Interpretations within context; Editorial revisions issues: Inaccurate slurs in A |
|||||||
|
b. 22
|
composition: Op. 21, Concerto in F minor, Mvt I
..
It does not seem that the slur of A should be interpreted in the way it was performed in the editions. category imprint: Differences between sources issues: Inaccuracies in GE |
