Pitch
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b. 309
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Errors in EE , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 309
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composition: Op. 21, Concerto in F minor, Mvt I
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The traces of erasure, visible in A, allow to read the original version of the 1st half of the bar, in which the last note was an a1. In this version, the 3rd and 4th quavers were written in the treble clef, in which the removed note was written; however, it is unknown whether the correction of the moment of the beginning of the slur is to be linked to the change of the last note. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
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b. 310
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 311
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we omit the cautionary category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 312
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there are no flats lowering g3 to g category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
raising a
to a before the 2nd quaver. The sign was added in