Issues : Annotations in teaching copies

b. 76

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 84

composition: Op. 21, Concerto in F minor, Mvt I

e-g in A & FED

c-e in GE (→FEEE)

..

The version of the editions is undoubtedly erroneous, which is proved by the Chopin correction in FED, restoring the text of A.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Errors in GE , Terzverschreibung error

b. 87

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED, contextual interpretation

No teaching fingering

..

When interpreted literally, the fingering applies to the ggrace note (1) and the fcrotchet (3). However, the notation must be inaccurate, because in this context such a configuration is very unnatural.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 87

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 89

composition: Op. 21, Concerto in F minor, Mvt I

Quavers in A & GE2

Dotted rhythm in GE1 (→FEEE)

..

In the main text we give the rhythm of A, not raising any source or musical doubts. The version of GE1 (→FEEE) is probably erroneous:

  • the layout of the text in GE1 practically excludes a possibility of performing rhythmical corrections at this place;
  • the authentic phrasing combines less naturally with a dotted rhythm on the 3rd beat (cf. phrasing and rhythm in the previous bar).

GE2 restored the version of A.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Errors in GE , GE revisions , Dotted or even rhythm