GE2
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 89

Quavers in A & GE2

Dotted rhythm in GE1 (→FEEE)

In the version of GE1 (→FEEE), one can see Chopin's proofreading: thanks to the dotted rhythm a clear echo of the characteristic initial motif of this movement is created. However, the motif, wherever it appears, is never separated with slurs into two parts, as it happens here. This would call into question the authenticity of this version: perhaps it is simply a mistake of the engraver or maybe even an intentional, arbitrary change introduced out of a conviction that the notation of A is inaccurate (another questionable change of this type is to be found in the Sonata in B minor, Op. 35, 3rd mov., bar 14). A possible mistake of GE1 is also supported by the layout of the text, practically excluding any correction of rhythm at this place.

The sign written by Chopin in this place in FED (a diagonal cross characteristic for his teaching entries) is an evidence of certain verbal remarks of Chopin; they could have concerned rhythmic issues.

GE2 restored the version of A.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Annotations in teaching copies, Annotations in FED, Errors in GE, GE revisions, Dotted or even rhythm

notation: Rhythm

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