Pitch
b. 193
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 196
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE→FE) there are no naturals raising d2(3) to d2(3). Chopin's patent oversight was partially corrected in EE, by adding a before the chord in the middle of the bar. The second necessary sign was added only in EE3. The absence of signs in GE2 draws attention, particularly considering the fact that a cautionary before f3 was added there. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Omission of current key accidentals , EE inaccuracies , Inaccuracies in A |
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b. 196
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add a cautionary before e2. category imprint: Editorial revisions |
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b. 197
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is neither a raising d2 to d2 in the marked place nor a restoring d2 five semiquavers later. Corresponding signs are in the parts of oboes and clarinets in Morch, which confirms an imposing suspicion of Chopin's mistake. The signs were added already in GE1 (→FE→EE, →GE2), in which one could see the composer's proofreading. In the main text we also add a cautionary before b1; it is also in GE2. category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Authentic corrections of GE |
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b. 198
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no accidental before the 10th semiquaver. Chopin's patent oversight was corrected already in GE1 (→FE→EE, →GE2), by adding a restoring b1. category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |