Pitch
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b. 157
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composition: Op. 21, Concerto in F minor, Mvt I
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The F quaver, present in A, is probably the original version – cf. the ascending sequence of bass in analogous bars in the recapitulation (bars 301, 303 and 305). In the main text we give D introduced most probably by Chopin in the proofreading of GE1 (→FE→EE) and analogous to preceding bars 151, 153 and 155. category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Accompaniment changes , Authentic corrections of GE |
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b. 157
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE1→FE) there are no accidentals in the 2nd half of the bar. The necessary naturals were added in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 158
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composition: Op. 21, Concerto in F minor, Mvt I
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In A Chopin overlooked two naturals necessary on the 4th quaver in the bar (a and e1). GE1 (→FE→EE) added a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 159
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composition: Op. 21, Concerto in F minor, Mvt I
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In the 2nd half of the bar, Chopin overlooked naturals in A – undoubtedly necessary – before the 2nd and 3rd quavers in the L.H. In GE1 (→FE) a sign was added before e1, while in EE and GE2 also the one before a. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 160-161
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add a cautionary category imprint: Editorial revisions |
raising a
to a.