![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Inaccuracies in GE
b. 131-132
|
composition: Op. 21, Concerto in F minor, Mvt I
..
Same as in the previous bars, dividing the slur of A into two parts was an arbitrary decision of GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE , Tenuto slurs |
|||||||||||||
b. 131-132
|
composition: Op. 21, Concerto in F minor, Mvt I
..
We reproduce the poco ritenuto indication after A, in which Chopin suggested the range of the retardation (probably to the e category imprint: Differences between sources issues: Inaccuracies in GE |
|||||||||||||
b. 132
|
composition: Op. 21, Concerto in F minor, Mvt I
..
Even in such a seemingly obvious situation, the engraver of GE1 separated the slurs in the middle of the bar, contrary to A and the musical sense. The extension of the first slur in FE (→EE), although it returns the range of the slur written in A, is probably another inaccuracy. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
|||||||||||||
b. 133
|
composition: Op. 21, Concerto in F minor, Mvt I
..
Differences in the placement of accents perhaps result from an ambiguous rhythmic notation, adopted from A – the engraver of FE, seeing an accent over the d category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE , Inaccuracies in FE |
|||||||||||||
b. 135
|
composition: Op. 21, Concerto in F minor, Mvt I
..
Assigning the b category imprint: Differences between sources issues: Inaccuracies in GE , FE revisions |