Issues : Annotations in teaching copies

b. 148-149

composition: Op. 21, Concerto in F minor, Mvt I

Slur to g1 in A & FED

Slur to a1 in GE (→FEEE)

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In spite of the correction of the slur of A, which Chopin extended to the g1 crotchet, the editions embraced with it only the group of small notes. Chopin restored the correct phrasing with an entry in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE , Corrections in A

b. 149

composition: Op. 21, Concerto in F minor, Mvt I

Slur from 1st crotchet in A (literal reading→GEFEEE)

Slur from octave in A (contextual interpretation) & FED

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The slur of A, when interpreted literally, seems to start from the beginning of the bar and this is how it was reproduced in the editions. However, both the previous slur, led to the beginning of this bar, and con duolo placed only over the second crotchet suggest that the new musical thought should begin just from the second crotchet. The intuition is confirmed by the Chopin entry in FED, in which the ending of the slur added over the roulade in bar 148 clearly separates the gcrotchet from the further course of music.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Inaccurate slurs in A

b. 149

composition: Op. 21, Concerto in F minor, Mvt I

in the sources

No marking in FED, possible reading

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In FED is crossed by a slightly diagonal line, which can be interpreted as a deletion. However, the meaning of the dash is not certain – in Chopin pupils' copies, there are fragments containing such delicate dashes, drawn probably when discussing problematic places for the pupil. Most frequently, the dashes are of no specific meaning; they simply prove a more intense work on a given fragment.

It is also unclear what a possible deletion could mean. If not  then ? Or maybe  that was valid before the said ? In the face of these doubts, we suggest the absence of , being a result of a possible deletion, only as one of possible interpretations of FED

category imprint: Graphic ambiguousness; Source & stylistic information

issues: Annotations in teaching copies , Annotations in FED

b. 150

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering

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The fingering written to FED certainly comes from Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 151

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering

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The fingering added in FED probably comes from Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED