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Op. 21, Concerto in F minor, Mvt I

Text Compare Notes Sources Description

Issues : Annotations in teaching copies

b. 237-239

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering
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The fingering in the R.H. in bars 237 and 239 coming from Chopin was written – probably with the pupil's hand – into FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 247

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 255

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering
..

The fingering coming probably from Chopin – compatible with the authentic fingering of the Etude in G minor, Op. 25 No. 6, bars 57-59 – is written in FED (with a pupil's hand).

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 280

composition: Op. 21, Concerto in F minor, Mvt I

No sign in A (→GE→FE→EE)

Arpeggio sign written into FED

Our variant suggestion
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category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 288

composition: Op. 21, Concerto in F minor, Mvt I

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In FE (→EE1→EE2) there is no  raising a1 to a1 before the 2nd semiquaver. Chopin added a  in FED; the correct text was introduced also in EE3.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED