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Issues : Long accents
b. 285
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we give the long accents of A. In the editions they were reproduced inaccurately as short ones. The differences in the number of accents are a result of oversights and revisions. category imprint: Differences between sources issues: Long accents , EE revisions , Errors in FE , Inaccuracies in GE , Errors in GE , GE revisions |
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b. 286
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composition: Op. 21, Concerto in F minor, Mvt I
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In A the sign is bigger than the majority of long accents, so it having been reproduced in GE as a category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Errors in FE , Sign reversal |
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b. 289
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 290
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing accent is certainly a mistake of GE1 (→FE→EE). The engraver might not have been sure to which note the shifted accent applied (it was one of the ways of marking long accents in Chopin's earlier autographs – cf. bar 230). category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Errors in GE , GE revisions |
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b. 291
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composition: Op. 21, Concerto in F minor, Mvt I
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It is unclear which type of accent Chopin meant here. The sign is shorter from all previous ones on this page of A (bars 289-290); however, its shape is characteristic of long accents – cf. the accent in bar 293. GE (→FE) has a short accent, which in EE was changed to a vertical sign. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions |