Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 21, Concerto in F minor, Mvt I
The missing accent over g
1 in A (→GE) must be considered Chopin's oversight – the accents are present in five remaining similar bars. The composer's distraction could have been caused by corrections in this place. The sign added in FE (→EE) is most probably a result of Chopin's proofreading, although one can ponder why the composer – since he already took care of the accents in this bar – did not complete the remaining deficiencies.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Authentic corrections of FE
notation: Articulation, Accents, Hairpins
