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b. 213

composition: Op. 21, Concerto in F minor, Mvt I

in A (→GE) & EE2 (→EE3)

No marking in FE (→EE1)

..

The absence of  is probably an oversight of the engraver of FE (→EE1). The indication was added in EE2 (→EE3), on the basis of a comparison with GE1a

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 213

composition: Op. 21, Concerto in F minor, Mvt I

No indication in A

Viol. in GE (→FEEE)

..

The Viol. indication, added in GE1, may be authentic. Chopin could have had two reasons to specify the instrumentation: the reduction does not include here an important motif of the flute and oboe; moreover, in GE1 the dots and the slur written in A were overlooked. The possibility that the articulation markings were deliberately replaced with this indication seems to be much less likely.

category imprint: Differences between sources

issues: Authentic corrections of GE

b. 213-214

composition: Op. 21, Concerto in F minor, Mvt I

..

The oversight of the slur in GE (→FEEE) – see the note on portato dots.

category imprint: Differences between sources

b. 214

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering
 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 214-215

composition: Op. 21, Concerto in F minor, Mvt I

No slurs in A

3 slurs in GE1 (→FEEE)

Slur in GE2

..

It is difficult to imagine that Chopin, when proofreading GE1, could have added slurs in the L.H. in this form: the added slur, analogous with the slur in the R.H. (cf. the slur in GE2), was either reproduced in a simplified manner (GE1 avoided long slurs, requiring a precise adjustment) or it is simply an editorial revision. Since in such a context the slur over the R.H. is valid also for the L.H., in the main text we leave the notation of A.

category imprint: Differences between sources

issues: GE revisions