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b. 45-48
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composition: Op. 21, Concerto in F minor, Mvt I
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In bars 45-48, the slurs appear in the sources only sporadically: two in bars 46-47. According to us, it is Chopin's oversight, hence in the main text we suggest additions, partially modelled after analogous bars 37-40. category imprint: Editorial revisions |
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b. 45
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composition: Op. 21, Concerto in F minor, Mvt I
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The staccato dots on three octaves in the bass are most probably either an arbitrary addition of the engraver of GE1 or an erroneously included signs from the cello part in Morch. category imprint: Differences between sources issues: GE revisions |
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b. 45
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we hold to the notation of A, not including the schematically extended slur of the editions. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 46
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing grace note is probably an oversight of the engraver of GE1 (→FE→EE). We suggest completing the bass line also in the middle of the bar, although the missing bass note of the chord there is significantly less noticeable (in the solo part, Chopin wrote octaves in analogous bars 134 and 282). category imprint: Differences between sources; Editorial revisions issues: Errors in GE , GE revisions |
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b. 49
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources; Editorial revisions issues: EE revisions |
2 and d