b. 5-8
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The slur over this four-bar section could have been added by Chopin in GC (→GE) or overlooked by the engraver of FE (→EE). It seems to be highly unlikely that Chopin intentionally removed this sign. category imprint: Differences between sources issues: Authentic corrections in GC |
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b. 6-7
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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There are no quaver rests at the end of b. 6 and 7 in GC (→GE). It is probably the copyist's mistake. category imprint: Differences between sources issues: Errors of GC , Errors repeated in GE |
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b. 7-8
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The fact of beginning the hairpin in FE (→EE1) later can be justly considered to be an inaccuracy related to the abbreviated notation of bar 7 in [A] and layout of the text in FE, in which bar 8 opens the 2nd line. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 7-15
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GC – certainly in accordance with [A] – bar 7 is written in an abbreviated manner as a repetition of bar 6. Similar abbreviations appear also in the part of the L.H. in bars 10-11, 12 (the 2nd half of the bar) and 15. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 8
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The f-b-d1 chord in GE1 is certainly an engraver's error. Moreover, the mistake changed the meaning of the slur which became a tie to f. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , Terzverschreibung error , GE revisions |