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Issues : EE revisions
b. 153
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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It is unclear which slur Chopin meant, since the absence of a slur in FE (→EE1) does not allow us to confront the version of GC with another source modelled after [A]. According to us, the slur of GC may be inaccurate, hence we adopt the more natural version of GE. The slur of EE2, probably modelled after GE, was, however, led from g category imprint: Differences between sources issues: EE revisions , Errors in FE , EE inaccuracies , Inaccuracies in GC |
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b. 153
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The absence of an accent in FE (→EE1), if not an oversight by the engraver, means that Chopin added the mark to GC (→GE). category imprint: Differences between sources issues: EE revisions , Errors in FE , Authentic corrections in GC |
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b. 155
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The structure of the figuration in the entire passage in the L.H. (bars 153-156 and 157-160), and particularly the comparison with analogous bar 159, indicate a mistake of the copyist in this place. The absence of a correction in GE may be attributed to the absent category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Terzverschreibung error , Errors of GC |
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b. 156
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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At the beginning of the 2nd half of the bar before the bottom note of the second, GC and FE1 (→FE2) have one category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Errors of GC , Authentic corrections of EE |
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b. 159
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GC and FE (→EE1) there is no flat lowering c2 to c category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Errors of GC , Errors repeated in FE , Errors repeated in EE |