Issues : Errors of GC
b. 7
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
No in GC (→GE) is almost certainly an oversight of the copyist, who apparently forgot to write dynamic indications between the staves in the entire line of the manuscript (bars 7-15 – cf. bars 8, 9-10, 11-12 and 12). It is a relatively frequent type of mistake, resulting from the logically ordered, gradual organisation of the writing process. category imprint: Differences between sources issues: Errors of GC |
||||||||
b. 8
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
No accents in GC (→GE) is almost certainly an oversight of the copyist, who overlooked all signs between the staves in bars 7-13. The length of the 1st accent is confirmed by the notation of FE in bar 196, being a repetition of bar 8, and clearly longer signs in similar bar 28. category imprint: Differences between sources issues: Long accents , Inaccuracies in FE , Errors of GC |
||||||||
b. 9-10
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
No in GC (→GE) is almost certainly an oversight of the copyist, who overlooked all signs between the staves in bars 7-13. category imprint: Differences between sources issues: Errors of GC |
||||||||
b. 11-12
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
No accents in GC (→GE) is almost certainly an oversight of the copyist, who overlooked all signs between the staves in bars 7-13. The short accents in EE are certainly a result of the standard interpretation of the notation of FE. category imprint: Interpretations within context; Differences between sources issues: Long accents , EE inaccuracies , Errors of GC |
||||||||
b. 12
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
The missing tie sustaining d1 in GC (→GE) is almost certainly a result of an oversight of the engraver; similarly in bar 200. See also bar 13. category imprint: Differences between sources issues: Errors of GC |