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Rhythm

b. 10-11

composition: Op. 35, Sonata in B♭ minor, Mvt II

No tie in GC (→GE) & FE (→EE)

Tie suggested by the editors

..

In the main text we give a tie sustaining b2 on the basis of the most probably Chopin proofreading of FE4 in analogous bars 198-199. The situations, in which Chopin overlooks one of a few analogous places at the time of implementing corrections is not unusual – cf., e.g., the Etude in G major, Op. 10 No. 5, bar 4, Etude in B minor, Op. 25 No. 10, bar 87 or Waltz in A major, Op. 42, bar 81. An additional argument is the sustention of a2 in a musically and pianistically similar situation in bars 30-31.

category imprint: Interpretations within context; Editorial revisions

issues: Omitted correction of an analogous place

b. 12

composition: Op. 35, Sonata in B♭ minor, Mvt II

No tie in GC (→GE)

Tie to d1 in FE (→EE)

..

The missing tie sustaining d1 in GC (→GE) is almost certainly a result of an oversight of the engraver; similarly in bar 200. See also bar 13.

category imprint: Differences between sources

issues: Errors of GC

b. 13

composition: Op. 35, Sonata in B♭ minor, Mvt II

Tie to d in GC (→GE) & FE2 (→EE,FE3FE4)

No tie in FE1

..

The missing tie sustaining d in FE1 is undoubtedly a mistake of the engraver, corrected already in FE2. In the respective bar of the recapitulation (bar 201), FE1 includes this tie.

category imprint: Differences between sources

issues: Errors in FE , FE revisions

b. 30-31

composition: Op. 35, Sonata in B♭ minor, Mvt II

No tie in GC (→GE)

Tie in FE (→EE)

..

The absence of the tie sustaining a2 is probably an oversight of the copyist.

category imprint: Differences between sources

issues: Inaccuracies in GC

b. 31

composition: Op. 35, Sonata in B♭ minor, Mvt II

No tie in GC (→GE)

Tie in FE (→EE)

..

The absence of the tie sustaining a2 is probably an oversight of the copyist.

category imprint: Differences between sources