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Issues : Errors in FE
b. 221
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Same as in bar 219, the absence of the c category imprint: Differences between sources issues: Errors in FE |
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b. 222-224
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The slur added – most probably by Chopin – in the proofreading of FE3 (→FE4) clearly shows that according to the composer's intention, it was not supposed to reach the next bar. The longer slur of EE may be considered in this situation an inaccurate interpretation of the slur added in the base text by Chopin (cf. bars 36-37) or an editorial revision on the basis of the analogous place of the first section of Scherzo. category imprint: Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of FE , Tenuto slurs |
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b. 228-229
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The absence of the naturals raising g category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Authentic corrections of FE , FE revisions |
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b. 230-231
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The natural before the 5th quaver in the L.H. in bar 230 (c1) was added only in GE2. The natural before the 1st quaver in bar 231 (d1) is absent in FE; it was added in EE. The sign is also in GC, in which it is added by Chopin's hand (in bar 43), and in GE, which is based on it. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions |
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b. 239-242
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The pedalling of these bars in FE and GE1 includes mistakes and inaccuracies:
category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions |