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Issues : Authentic corrections of EE
b. 17-18
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The category imprint: Interpretations within context; Differences between sources issues: EE inaccuracies , Authentic corrections of EE |
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b. 22
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The slur in EE could have been added by Chopin. As an editorial revision is, however, also possible, in the main text we suggest a variant solution with a slur in brackets. category imprint: Differences between sources issues: Authentic corrections of EE |
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b. 25-26
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composition: Op. 35, Sonata in B♭ minor, Mvt III
category imprint: Interpretations within context; Differences between sources issues: EE inaccuracies , Authentic corrections of EE |
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b. 28-29
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In all sources there is an accent under G category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of EE |
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b. 35
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The version of EE was introduced – most probably by Chopin – in the base text to this edition. The version with d1 offers a more distinct harmonic progression of the accompaniment, in the version with f1 thanks to the omission of the doubling of the leading note, the sound of the ending of the bar is smoother. It cannot be excluded that Chopin was not entirely sure about each of these versions (Chopin's hesitation in a similar situation can be found in, e.g., the Nocturne in F category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of EE |