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Issues : Authentic corrections of EE
b. 52
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Each of the source versions could have been intended by Chopin, yet only the version with an ornament is undoubtedly authentic, whereas its notation with the use of grace notes is certainly later. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections of FE , Authentic corrections of EE |
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b. 53
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Same as in bar 37, Chopin added the category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 56-60
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The cresc. indication was added – certainly by Chopin – in the proofreading of FE3 (in bar 56) and base text to EE (half a bar earlier). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 61-62
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The contrasting dynamic indications added in EE may come from Chopin, however, there are premises to suspect a possibility of a revision, adding an authentic crescendo. Due to this reason, we do not include them in the main text, however, we suggest alternative variant solutions. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of EE |
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b. 68
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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FE1 (→FE2) features a D category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Authentic corrections of FE , Authentic corrections of EE , Annotations in FESch |