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Issues : Authentic corrections of FE
b. 37
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Chopin added the third grace note ( category imprint: Interpretations within context; Differences between sources issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 45
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Chopin most probably hesitated between e category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Chopin's hesitations , Annotations in FES , Authentic corrections of FE |
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b. 45
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The version of FE1 (→FE2) is certainly a result of the mistake of the engraver, who repeated the crotchets from the previous bar. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 52
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Each of the source versions could have been intended by Chopin, yet only the version with an ornament is undoubtedly authentic, whereas its notation with the use of grace notes is certainly later. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections of FE , Authentic corrections of EE |
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b. 53
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Same as in bar 37, Chopin added the category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |