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Issues : Annotations in FES
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b. 28
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composition: Op. 35, Sonata in B♭ minor, Mvt III
category imprint: Differences between sources |
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b. 28
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
Similarly as in bar 20, Chopin's mistake in [A] caused that the correct notation of the trill appeared in the editions – despite the proofreading of FE3 – only in GE2 and EE2. The mistake was corrected in all pupil's copies. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors in EE , Errors in GE , GE revisions , Annotations in FES , Authentic corrections of FE , Annotations in FESch |
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b. 30
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The written in FES version with a chromatic, quaver progression of the bass constitutes a diversification of the transition to the D category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants |
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b. 31
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The characteristic Chopin fingering comes from FES. category imprint: Differences between sources |
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b. 40
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composition: Op. 35, Sonata in B♭ minor, Mvt III
..
In GC and FE1 (→FE2→FE3→FE5) there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Annotations in FES , FE revisions , Last key signature sign , Errors of GC |
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