



b. 28
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Similarly as in bar 20, Chopin's mistake in [A] caused that the correct notation of the trill appeared in the editions – despite the proofreading of FE3 – only in GE2 and EE2. The mistake was corrected in all pupil's copies. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors in EE , Errors in GE , GE revisions , Annotations in FES , Authentic corrections of FE , Annotations in FESch |
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b. 29
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composition: Op. 35, Sonata in B♭ minor, Mvt III category imprint: Interpretations within context; Editorial revisions issues: Centrally placed marks |
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b. 30
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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It seems to be highly unlikely that the change introduced in the proofreading of FE3 (→FE4,FE5) would correspond to Chopin's intentions. The present in the remaining sources B category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Errors resulting from corrections , Authentic corrections of FE |
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b. 30
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The written in FES version with a chromatic, quaver progression of the bass constitutes a diversification of the transition to the D category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants |
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b. 31-34
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The fingering in the L.H. in bars 31 and 34, which may come from Chopin, was written in FESch. Similarly in bars 33, 35-36, 39-40, 43 and 46. Cf. the Nocturne in C category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |