![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Accidentals in different octaves
b. 27-28
|
composition: Op. 27 No 1, Nocturne in C# minor
..
In bars 27-28 in GE (→FE) the naturals lowering d category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , Errors in GE |
|||||
b. 41
|
composition: Op. 27 No 1, Nocturne in C# minor category imprint: Differences between sources; Corrections & alterations issues: Accidentals in different octaves |
|||||
b. 45
|
composition: Op. 27 No 1, Nocturne in C# minor
..
GE1 has no sharps before the last two quavers. It may correspond to the notation of [A] for Chopin certainly regarded as obvious the sharpening of notes that actually repeat the bass note written with category imprint: Differences between sources issues: Accidentals in different octaves |
|||||
b. 83
|
composition: Op. 27 No 1, Nocturne in C# minor
..
Chopin certainly regarded the pitch of the recitative's first octave as determined by category imprint: Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Accidentals in different octaves |