mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt IV

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Page: 
Source: 
p. 2, b. 19-38
p. 1, b. 1-18
p. 2, b. 19-38
p. 3, b. 39-56
p. 4, b. 57-75
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GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 37

e-e1 in GC (→GE) & FE1 (→FE2→EE)

f-f1 in FE3 (→FE4→FE5)

The version with e-e1 may be Chopin's mistake, who in [A] introduced the naturals raising it to e-e1 four quavers too late. In any case, Chopin proofreading of FE3 undoubtedly determines both the sound of this quaver and its enharmonic notation. 

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Errors of A, Authentic corrections of FE

notation: Pitch

Missing markers on sources: FESch, FES, FED, Afin
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