mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt IV

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Page: 
Source: 
p. 2, b. 19-38
p. 1, b. 1-18
p. 2, b. 19-38
p. 3, b. 39-56
p. 4, b. 57-75
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Main text
GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 37

e-e1 in GC (→GE) & FE1 (→FE2→EE)

f-f1 in FE3 (→FE4→FE5)

The version with e-e1 may be Chopin's mistake, who in [A] introduced the naturals raising it to e-e1 four quavers too late. In any case, Chopin proofreading of FE3 undoubtedly determines both the sound of this quaver and its enharmonic notation. 

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Errors of A, Authentic corrections of FE

notation: Pitch

Missing markers on sources: FESch, FES, FED, Afin
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