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p. 2, b. 19-38
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b. 22
After the modulating progressions of the previous bars, bars 21-22 lead – via the ninth dominant chord (A)-c-e-g-b – to the D major key, in which bars 23-30 are maintained. In this context, at the end of bar 22, d-e-f sounds much more natural than d-e-f. Therefore, apart from the version of the sources with E-e on the penultimate quaver, we suggest an alternative version with E-e.
category imprint: Interpretations within context; Editorial revisions
issues: Omissions to cancel alteration
notation: Pitch
Missing markers on sources:
FESch, FES, FED, Afin