mUltimate Chopin

Op. 64 No 2, Waltz in C♯ minor

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b. 92-93

composition: Op. 64 No 2, Waltz in C♯ minor

d3 repeated in As, AI & A (→FE→EE)

d3 tied in GE & FED
..

Both source versions of the melody at the transition between the bars are almost certainly authentic. In the main text, we give the version with the repetition of the d3, written in the base source, A (→FE→EE).

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FED , Authentic corrections of GE

b. 155-156

composition: Op. 64 No 2, Waltz in C♯ minor

c2 repeated in A (→FE→EE,GE1no2,GE1op→GE2op→GE3op)

c2 tied in FED & GE2no2
..

The tie of c2, written in FED probably by Chopin, may be considered an authentic variant with respect to the repeated note present in all remaining sources (except for GE2no2). Similarly in bars 157-158. 

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FED

b. 157-158

composition: Op. 64 No 2, Waltz in C♯ minor

b1 repeated in As, AI & A (→FE→GE,EE)

b1 tied in FED
..

The tie of b1, written in FED perhaps by Chopin, may be considered an authentic variant.

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FED