FE1
Main text
As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
compare
  b. 68-69

No ties nor slur in As & AI

Ties & slur in A

Mistaken ties in FE

No b & mistaken slur in GE1op

Ties in GE1no2 (→GE2no2) & EEC

Mistaken slurs in EEW1 (→EEW2)

No b in GE2op (→GE3op)

The notation of the part of the L.H. in bars 68-69, 72-73, 84-85 and 88-89, in spite of being totally legible, turned out to be incomprehensible for the engraver of FE. In each of these four places, Chopin writes 2 curved lines – a tie for the dotted b minim or cand a phrase mark for the three-note chromatic progression of the bass. In FE, only for the 3rd time (bars 84-85) it was reproduced correctly, in three remaining places, none (!) of them was placed accurately. GE and EE repeated this erroneous notation, sometimes adding new inaccuracies and introducing minor revisions. Both previous autographs present a simplified notation, in which there are only the struck notes and there are no phrase marks.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions, Errors in FE, GE revisions, Accompaniment changes

notation: Rhythm

Go to the music

.