Issues : Authentic post-publication changes and variants
b. 1-4
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composition: Op. 64 No 1, Waltz in D♭ major
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The addition in FED – trill 4 bars – probably means a variant of beginning the Waltz in a way similar to the return of the main section from bar 69. We give each of the variants – four- and eight-bar – in the version with fingering, written also in FED, or without. As starts right away with accompaniment, which corresponds with bar 5 of the version of later autographs and editions. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants , Main-line changes , Differences in form |
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b. 93
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composition: Op. 64 No 1, Waltz in D♭ major
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A possible Chopin variant, added probably with the pupil's hand in FES, can be interpreted in two ways, according to us. As the text of this source we adopt the most likely interpretation, in which the added note is supposed to be simply added to the printed ones. However, the slur may signalise which notes create an entire bar – a supposition supported by the undeniable authenticity of the version, included in As. See also bar 95, in which we discuss a possibility of continuing the variant. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants |