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b. 28
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composition: Op. 64 No 1, Waltz in D♭ major category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 29
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composition: Op. 64 No 1, Waltz in D♭ major
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We give Chopin teaching fingering written in pencil in FED. category imprint: Differences between sources |
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b. 29-30
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composition: Op. 64 No 1, Waltz in D♭ major
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In AI the pedalling is still marked in these bars, however, it concerns another version of the L.H. – cf. bars 21-24 and the adjacent note. Due to this reason, we do not suggest it in the main text, even in a variant form. On the other hand, the version of the accompaniment, used here in A (→FE→GE,EE), was provided with pedalling by Chopin in bars 21-24, so the absence of indications does not mean prohibition of the use of pedal, but rather the absence of the necessity of its use. category imprint: Differences between sources; Corrections & alterations |
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b. 29-30
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composition: Op. 64 No 1, Waltz in D♭ major
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As it was described in bars 21-24, in the previous autographs Chopin used here a version which in A and in the editions appeared right there. In AI and AII it was preserved in its earliest form, with triads in bar 30.
In the main text we add a cautionary category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Chopin's hesitations , GE revisions , FE revisions |
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b. 30
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composition: Op. 64 No 1, Waltz in D♭ major
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In As the part of the R.H. is not written out in bars 29-31, which in the case of bar 30 must be understood as a literal repetition of bar 22, including the last quaver, different than in the subsequent sources. category imprint: Differences between sources; Corrections & alterations |
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1) in 