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Op. 64 No 1, Waltz in D♭ major

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b. 5-28

composition: Op. 64 No 1, Waltz in D♭ major

No markings in As, AII & AIII

Pedalling in AI & A (→FE→GE,EE)
..

Among the early autographs, it is only AI that includes a detailed pedalling. In the subsequent notes we do not record the missing indications in As, AII and AIII. Similarly in the case of dynamic signs.

category imprint: Differences between sources; Corrections & alterations

b. 7-30

composition: Op. 64 No 1, Waltz in D♭ major

..

There are no slurs in As. We do not record the absence of these signs in further notes. Cf. notes on dynamic signs and pedalling.

category imprint: Differences between sources; Corrections & alterations

b. 8-16

composition: Op. 64 No 1, Waltz in D♭ major

..

We add a cautionary  next to g2 in bar 8 and 16. One of them was written by Chopin himself in bar 8 in AI, while both signs were added by the revisers of GE and EEW1 (→EEW2).

category imprint: Differences between sources

issues: EE revisions , GE revisions , Cautionary accidentals

b. 9-11

composition: Op. 64 No 1, Waltz in D♭ major

Fingering written into FED

No teaching fingering
..

We give the fingering written in pencil in FED, coming probably from Chopin. The first two digits are repeated also in bars 17-18.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 11

composition: Op. 64 No 1, Waltz in D♭ major

a in chords in As, AI, AII & AIII

No a in A (→FE→GE,EE)
..

In the previous autographs, the bar is an exact repetition of bar 9.

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes