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b. 117

composition: Op. 64 No 3, Waltz in A♭ major

No mark in the sources

Accent suggested by the editors

..

At the return of the main theme (bars 109-140), Chopin provided the last crotchet of the bars opening new phrases with an accent, in every place where they were written out. Therefore, it seems to be highly likely that the accent is to be applied also here and that its absence is an oversight of Chopin, resulting from the use of the brief notation of certain fragments.

category imprint: Interpretations within context; Editorial revisions

issues: Inaccuracies in A

b. 121-122

composition: Op. 64 No 3, Waltz in A♭ major

No pedal change in A

Pedal change in FE (→GE,EE)

..

The pedalling of FE (→GE,EE) is certainly erroneous.

category imprint: Differences between sources

issues: Errors in FE

b. 121-122

composition: Op. 64 No 3, Waltz in A♭ major

Slur in A (→FEEE)

No slur in GE

..

The missing slur in the L.H. in GE is most probably a result of an inaccuracy of the engraver of FE, who overlooked this sign (A is poorly legible in this place due to deletions). In the last proofreading of FE (→EE), the slur was added, probably by Chopin.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , Authentic corrections of FE

b. 125-126

composition: Op. 64 No 3, Waltz in A♭ major

e1 not tied in A

e1 tied in FE (→EE,GE)

..

The missing tie of emay be Chopin's mistake.

category imprint: Differences between sources; Corrections & alterations

issues: Errors of A , Authentic corrections of FE

b. 127-130

composition: Op. 64 No 3, Waltz in A♭ major

..

In A the bars are written briefly in the form of numbered bars, corresponding to bars 3-6, which are supposed to be repeated here.

category imprint: Source & stylistic information

issues: Abbreviated notation of A