b. 117
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composition: Op. 64 No 3, Waltz in A♭ major
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At the return of the main theme (bars 109-140), Chopin provided the last crotchet of the bars opening new phrases with an accent, in every place where they were written out. Therefore, it seems to be highly likely that the accent is to be applied also here and that its absence is an oversight of Chopin, resulting from the use of the brief notation of certain fragments. category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in A |
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b. 121-122
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composition: Op. 64 No 3, Waltz in A♭ major
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category imprint: Differences between sources issues: Errors in FE |
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b. 121-122
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composition: Op. 64 No 3, Waltz in A♭ major
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The missing slur in the L.H. in GE is most probably a result of an inaccuracy of the engraver of FE, who overlooked this sign (A is poorly legible in this place due to deletions). In the last proofreading of FE (→EE), the slur was added, probably by Chopin. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 125-126
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composition: Op. 64 No 3, Waltz in A♭ major
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The missing tie of e1 may be Chopin's mistake. category imprint: Differences between sources; Corrections & alterations issues: Errors of A , Authentic corrections of FE |
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b. 127-130
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composition: Op. 64 No 3, Waltz in A♭ major
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In A the bars are written briefly in the form of numbered bars, corresponding to bars 3-6, which are supposed to be repeated here. category imprint: Source & stylistic information issues: Abbreviated notation of A |