Issues : Authentic corrections of FE
b. 9
|
composition: Op. 25 No 11, Etude in A minor
..
The fingering was probably added by Chopin at the time of proofreading FE and then used by the reviser of EE2 (→EE3). category imprint: Differences between sources issues: Authentic corrections of FE |
||||||
b. 10-12
|
composition: Op. 25 No 11, Etude in A minor
..
Four fingering numerals in FE is most probably a result of Chopin proofreading of this edition. The significantly more abundant fingering of EE2 (→EE3) develops Chopin indications adopted from FE. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
||||||
b. 33
|
composition: Op. 25 No 11, Etude in A minor
..
The version of GC (→GE) was most probably taken into account by Chopin in all Stichvorlage manuscripts, which is indicated by the presence of before f on the last semiquaver of the bar both in GC and EE and FE, in which, however, the sign was removed at the time of proofreading. At the same time, the proofreading proves that the version of FE – with f on the 2nd semiquaver of the last group, preserving the harmonic regularity of the figuration – was eventually approved by Chopin as valid. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
||||||
b. 34-35
|
composition: Op. 25 No 11, Etude in A minor
..
The fingering of FE may have been added by Chopin still in the base text or only at the time of proofreading. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
||||||
b. 43-44
|
composition: Op. 25 No 11, Etude in A minor
..
In the main text we give Chopin fingering, most probably added at the time of proofreading FE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |