Pitch
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b. 5-6
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composition: Op. 25 No 11, Etude in A minor
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FE overlooked the general part of the octave sign over the initial, highest fragment of figuration (in the majority of the sources, including FE, it embraces also half of bar 6). The only visible trace of the indication is the word loco, which was used to end the octave sign in the times of Chopin. This patent error was corrected in FED and FEJ. category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , Annotations in FEJ |
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b. 5
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composition: Op. 25 No 11, Etude in A minor
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In EE there is no category imprint: Differences between sources issues: Errors in EE |
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b. 5
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composition: Op. 25 No 11, Etude in A minor
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EE1 has an erroneous d3 as the 4th semiquaver of the 2nd half of the bar. The mistake was corrected in the subsequent EE. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 5
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composition: Op. 25 No 11, Etude in A minor
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GC (→GE1) features naturals before b3 and a3 in the 3rd group of semiquavers. These unnecessary signs are remnants of the erroneously repeated 2nd group of semiquavers in this place. The mistake was corrected, by changing only the elements influencing the correctness of the text – pitch of the notes, category imprint: Differences between sources issues: GE revisions , Errors of GC |
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b. 6
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composition: Op. 25 No 11, Etude in A minor
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In EE1 it is b that is the lowest note of the minim chord. This patent mistake was corrected in EE2 (→EE3). category imprint: Differences between sources issues: EE revisions , Errors in EE |
returning d4 at the beginning of the 2nd group of semiquavers. This rather obvious error remained unnoticed by the revisers of 
to 
before the 3rd note. In