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Issues : EE revisions
b. 16
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composition: Op. 25 No 11, Etude in A minor
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Before the 1st semiquaver of the last group, GC and FE have no accidental, which, due to the fact that 11 previous notes in the R.H. (together with d
GC (→GE1) and FE repeated the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE , Errors in GE , GE revisions , Cautionary accidentals |
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b. 21
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composition: Op. 25 No 11, Etude in A minor
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FE includes more fingering numerals than GC, in which there are only two numerals (written with the copyist's hand), or EE1, which does not include any. Additional indications in FE were added either still in the base text (yet after having been copied by Gutmann) or in the proofreading of this edition. The fingering of EE3 probably comes from GE. category imprint: Differences between sources; Corrections & alterations issues: EE revisions |
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b. 27-28
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composition: Op. 25 No 11, Etude in A minor
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In GC (→GE) accents on the 4th beat of these bars were probably added by Chopin. EE3 repeated them, probably on the basis of GE. category imprint: Differences between sources issues: EE revisions , Authentic corrections in GC |
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b. 27-30
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composition: Op. 25 No 11, Etude in A minor
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In the passages including a few octaves, there are no accidentals in the sources, which, however, does not raise doubts concerning the text intended by Chopin.
In GC there are no sharps needed in the notation of f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of GC |
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b. 41-42
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composition: Op. 25 No 11, Etude in A minor
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The fingering versions of GC (→GE) and FE complement each other (and they generally overlap). In turn, the version of EE1 (→EE2) is most probably incomplete and erroneous. category imprint: Differences between sources issues: EE revisions , Errors in EE , Errors of GC |