mUltimate Chopin

Op. 25 No 11, Etude in A minor

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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 22

composition: Op. 25 No 11, Etude in A minor

No sign in GC (→GE) & FE

 in EE
..

The  sign was most probably added by Chopin in the base text to EE.

category imprint: Differences between sources

b. 27

composition: Op. 25 No 11, Etude in A minor

Staccato dot in FE & GE2 (→GE3)

No dot in GC (→GE1) & EE
..

In the main text we include the staccato dot present in FE. The sign was added also in GE2 (→GE3).

category imprint: Differences between sources

issues: GE revisions

b. 27

composition: Op. 25 No 11, Etude in A minor

Long accent in GC (→GE1)

No mark in FE & EE

Short accent in GE2 (→GE3)
..

The long accent, present only in GC (→GE1), could have been added there by Chopin. In GE2 (→GE3) it was replaced with a standard, short accent.

category imprint: Differences between sources; Corrections & alterations

issues: Long accents , GE revisions , Authentic corrections in GC

b. 27-28

composition: Op. 25 No 11, Etude in A minor

Accents in GC (→GE) & EE3

No marks in FE & EE1 (→EE2)
..

In GC (→GE) accents on the 4th beat of these bars were probably added by Chopin. EE3 repeated them, probably on the basis of GE.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections in GC

b. 35-36

composition: Op. 25 No 11, Etude in A minor

Accents in GC (→GE)

No marks in FE & EE
..

The accents on the 4th beat, present only in GC (→GE), were most probably added in the copy by Chopin.

category imprint: Differences between sources

issues: Long accents , Authentic corrections in GC